Art Paper

There is usually a good reason for following in a particular direction linking places in a serial trajectory, and the more people who have shared in the purpose of the path the more important it becomes. Paths form an essential medium for routing of social relations, connecting up spatialimpressions with temporally inscribed memories. (Tilley '94)

A question of framing. What is in view and not, what comes into view and leaves. Objectsthoughts depart, move through the field of visionthinking to make way for others. Again I am driving the freeway to Canberra. I'm going to the National Gallery to see 'Monet Japan' an exhibition looking at the influence Japanese art had on the great Impressionists work. I have driven this road many times over, a journey of repetition and change. The years and I have seen changes to the landscape that rushes headlong towards my windscreen or slides past my window. (). Does the view come to me or I to it or both (...) Perception delivers all three. The further I get from the urbane sprawl space opens and closes. The wider, longer, further the view the cosier my auto cocoon becomes. Inside

Some topics in this essay:
National Gallery, South Wales, It's Artist,


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