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Paul Simon’s The Sound of Silence A poem, like all other works of art, may appear as an inter-subjective truth, an intricate thread of images, a surreal yet realistic expression, and as a “creative fact” according to Virginia Woolf. In canon literature, a good poem is usually that which has fine structure, imagery, meaning and relevance; an art, which has sprung out not only of personal necessities but out of socio-cultural quagmires. Paul Simon’s The Sound of Silence transcends the mediocre. It creates a bombarding mood that runs through the whole text, thus, transforming the readers to a reality it is presenting. The poem starts with the use of a device called apostrophe (a figure of speech where one talks to or addresses an inanimate object). Here the “I” persona talks to his “old friend.” Hello darkness my old friend I’ve come to talk with you again Because a vision softly creeping Left its seeds while I was sleeping And the vision that was planted in my brain, still remains Within the Sound of Silence Apparently, this is not the first time that the speaker talks with his “old friend,” darkness. He had had “talks” with it since a time unspecified, suggesting a perpetual moments