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Alexander Pope’s satirical “The Rape of the Lock” embodies the structure and style of a mock-heroic. This Horation satire is purposely written to invoke laughter and ridicule particular aspects of society. The hero-comical poem contains the conventional elements of heroic poetry, yet Pope implements humor and exaggeration within this literary work. Pope writes, “What dire offense from amorous causes springs, What mighty contests rise from trivial things.” Lines one and two of Canto I of the poem reveal the theme of the poem. The lines indicate the amplification of events that occur in the poem. The poet is brilliant in his use of the components involved in heroic poetry. However, Pope employs unconventional characters and objects in place of the predictable figures seen in poetry of heroism. Sylphs are the unlikely supernatural beings presented in the “The Rape of the Lock”. Pope utilizes cosmetics as a type of epic catalogue. The improbable epic battle is fought with a game of cards, not physically on a gruesome battlefield. Furthermore, the tragedy of Belinda involves losing a lock of her hair, far from an extravagant death found in heroic poetry. Alexander Pope’s exceptional use of unique language and characters