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Much Ado About Nothing Essay In the course of Literature one comes across different types of plays, primarily Comedy’s and Tragedy’s. Each of these types is marked by highly distinguishing characteristics. As a result, from a thorough analysis of the play Much Ado About Nothing,” by William Shakespeare, it can be concluded that it is indeed a Comedy because of its many glaring constituents that associate it with a Comedy. These glaring constituents include the plays title, the use of figurative masking, the use of deception as a means to an end, and lastly the way the play itself concludes. One indication that strongly supports the assertion that Much Ado About Nothing is a Comedy is the title. In Comedy’s the title of the play is suppose to support a proverb that represents an ongoing theme in the play. In Shakespeare’s time the term “nothing” in the title would be read as noting. This makes great sense simply because throughout the play the characters would be taking notes, observing, and listening to each other in order to playfully make jokes and be deceitful. A great example of this is when Beatrice falls into a trap and begins to eavesdrop and note the conversation the women carefully concocte