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Tom Tyker made an excellent career choice. Tyker, the director and screenplay of 1999's spectacular German film Lola Rennt, engineered a cinematic masterpiece with this aforementioned flick. From the opening scene all the way to the closing, he forced me, not to mention the rest of my classmates as well, to view the movie from the edge of the desk's seat. Then, as a result of the film's completion, he had our jaws dropped, our minds racing, and, perhaps most importantly, our overwhelming approval. The most appealing aspect of Lola Rennt, at least in my personal opinion, was the great emphasis placed on both time itself and the timing of certain events