Then comes to the early eighteenth century, where most rich people lived in Scotland and Germany, had link the natures of beauty and art together. One of the famous was Kant, he refer aesthetics to responses for fine arts. These fine arts including the "painting, sculpture, architecture, poetry, and music as distinct from thos4e arts called decorative or so. To the early nineteenth century, aesthetic definition is including the exercise of judgment with respect to beauty and had to be "disinterested contemplation" effected. This means the work of an art don't have to be link any other context or conc4ept. In this way, aesthetics still is category as fine art and is not works that are like artifacts. Artifacts, by definition are "the utility of which form a significant part of its identity".
In Greek philosophy by eighteenth centuries, it was Kant who gave the form and status to aesthetics in his Critique of Judgment. Hegel then put more content into it. In Kant's mind, aesthetics judgment is not morality about practical reason or science about understand. It's to be united with them only thought a