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Shakespeare’s ‘King Lear’ essentially revolves around the concept of world order, based on cosmology, that is an understanding of the nature of the relationships in all ordered things in the universe. This is of great importance as it provides a background in which the themes of the play are built. Shakespeare portrays the struggle between chaos and order through the irrevocability of Lear’s actions and his resultant suffering, which vibrates throughout the play, causing personal, communal and universal disorder. Further disarray transpires as clash in moral order becomes more evident and disruptive. Since the first production of King Lear in 1606, it has had several interpretations, which derived from many philosophical underpinnings and literary theories, which have therefore had several approaches to thematic emphasis, conception of characters, aspects of staging and time settings. It is for this reason why there are differences in the dramatisation of the struggle between chaos and order within King Lear, many of which are often baffling and mutually contradicting. In a pre-Christian era, a king represented an earthy-God, where he was looked upon as mighty and flawless. This ideology kept order within the whole of soc